Here is a rare picture of Laurel and Hardy at what is believed to be a Masonic Hall. There is a sqaure and compasses on the door behind the people. It is thought it might be in Liverpool and that this might be a ladies' night. The picture is part of an archive that came up for sale from Stan Laurel's family.Thursday, 9 September 2010
Laurel and Hardy
Here is a rare picture of Laurel and Hardy at what is believed to be a Masonic Hall. There is a sqaure and compasses on the door behind the people. It is thought it might be in Liverpool and that this might be a ladies' night. The picture is part of an archive that came up for sale from Stan Laurel's family.
Wednesday, 8 September 2010
Old apron
This early 19th century Masonic Apron from the 1830s - it's believed - is coming under the hammer at Leland Little Auction in the US.
A handpainted label reads: "This Masonic Apron. Presented to McKinley Lodge No. 318 F. & A. M. - Jan. 7th 1930. By Brother, Laville F. Stitsell. Who on this date was. 50 yrs. a member of this Lodge, He was presented this apron when made a Mason. It came from Scotland and is estimated to be over 200 yrs. old." Experts believe it is from a century later.
The sale is on the 18th of September.
18th
Monday, 6 September 2010
Duke of Sussex
This is a 19th century portrait of that important Mason, HRH The Duke of Sussex, as Grand Master.
It is coming up for sale at Gorringes in East Sussex and is estimated to sell for up to £300.
It measures 11.95 X 9ins and is going under the hammer on September 8.
1907 jewel
This jewel is over 100 years old and comes with a note attached stating: "Presented to Bro E MacCallum - Hon Secretary - of Lodge of Forfar Killwinning No 90 by the Brethren of St John's 1907."
It is being sold by Thomson Roddick in Dumfries, Scotland, on September 18 and the catalogue description reades: "9ct gold Masonic jewel with set square and crossed quills, with presentation certificate, `Lodge Forfar Kilwinning 1907`.
Tuesday, 17 August 2010
Invites
This is one of two invites to a ball at the Guildhall in Worcestershrie on October 9, 1890. Measuring 8 x 7" they are from lodge number 280.
They are being sold by Trevor Vennett-Smith in Notts on August 19.
Monday, 16 August 2010
Quasimodo was a mason!
From the Sunday Telegraph
Real-life Quasimodo uncovered in Tate archives
With his hunched back and deformed face, Quasimodo, the tragic hero of Victor Hugo's novel The Hunch Back of Notre Dame, has always been considered a mythical creation drawn from the depths of the author's imagination.
But a new discovery appears to reveal the real-life inspiration behind the character from Hugo's seminal novel, which tells the story of the deaf bell-ringer of Notre Dame and his unrequited love for the gipsy girl Esmeralda.
Clues suggesting that Quasimodo is based on a historical figure have been uncovered in the memoirs of Henry Sibson, a 19th-century British sculptor who was employed at the cathedral at around the time the book was written and who describes a hunched back stonemason also working there.
However, the references to a "hunchback sculptor" working at Notre Dame have only just been discovered, as the memoirs are catalogued ahead of the archive's 40th anniversary this year.
The seven-volume memoirs document Sibson's time in Paris during the 1820s, when he was employed by contractors to work on repairs to Notre Dame Cathedral.
In one entry, he writes: "the [French] government had given orders for the repairing of the Cathedral of Notre Dame, and it was now in progress ... I applied at the Government studios, where they were executing the large figures [for Notre Dame] and here I met with a Mons. Trajan, a most worthy, fatherly and amiable man as ever existed – he was the carver under the Government sculptor whose name I forget as I had no intercourse with him, all that I know is that he was humpbacked and he did not like to mix with carvers."
In a later entry, Sibson writes about working with the same group of sculptors on another project outside Paris, where he again mentions the reclusive government sculptor, this time recalling his name as "Mon. Le Bossu". Le Bossu is French for "the hunchback".
He writes: "Mon Le Bossu (the Hunchback) a nickname given to him and I scarcely ever heard any other ... the Chief of the gang for there were a number of us, M. Le Bossu was pleased to tell Mon Trajan that he must be sure to take the little Englishman."
Adrian Glew, the Tate archivist, who made the discovery, said: "When I saw the references to the humpbacked sculptor at Notre Dame, and saw that the dates matched the time of Hugo's interest in the Cathedral, the hairs on the back of my neck rose and I thought I should look into it."
Hugo began writing The Hunch Back of Notre Dame in 1828 and the book was published three years later. He had a strong interest in the restoration of the cathedral, with architecture featuring as a major theme in the book.
Hugo publicly opposed the original neoclassical scheme for Notre Dame's restoration led by the architect Etienne-Hippolyte Godde – the same scheme which Sibson describes Le Bossu and Trajan working on – favouring a more Gothic style for the cathedral.
The publication of The Hunch Back of Notre Dame in 1831, which made Hugo one of France's most acclaimed authors, is widely credited with prompting the Gothic restoration of the cathedral in 1844, designed by the architect Eugene Viollet-le-Duc, which Hugo had championed.
His close links with the cathedral make it likely that he would have known Le Bossu and Trajan, and further research undertaken by Mr Glew in the national archives of France has uncovered additional links between Hugo and the characters described by Sibson.
The Almanach de Paris from 1833 – which gives a list of all professionals working in the city – names a sculptor "Trajin" as living in Saint Germain-des-Pres, where Hugo also lived at the time.
An early draft of Les Misérables, another of Hugo's acclaimed novels, holds another clue indicating that Hugo drew on the Government sculptors described by Sibson for inspiration.
The lead character in an early version of the novel is named as "Jean Trejean" which Hugo later changed to "Jean Valjean".
Professor Sean Hand, the head of the Department of French Studies at the University of Warwick, and an expert on Hugo, said: "It is a fascinating discovery. Many scholars have tried to link Quasimodo's deformities with certain medical conditions, but I have never seen any reference to a historical character that he may have been based upon.
"It sounds entirely plausible, and if Hugo was indeed inspired by this deformed stonemason at Notre Dame, it further renews our appreciation of his amazing imaginative powers to take details from real life and weave them into magical literature."
Gerry Croydon, a distant relative of Sibson's, said: "Henry's diaries are fascinating, as he travelled the length and breadth of Europe and came across some amazing characters. The discovery that his diary may reveal the inspiration behind one of literature's great characters, is quite amazing."
Sibson's memoirs will be on display outside the Hyman Kreitman Reading Room at Tate Britain until the end of August.
Real-life Quasimodo uncovered in Tate archives
With his hunched back and deformed face, Quasimodo, the tragic hero of Victor Hugo's novel The Hunch Back of Notre Dame, has always been considered a mythical creation drawn from the depths of the author's imagination.
But a new discovery appears to reveal the real-life inspiration behind the character from Hugo's seminal novel, which tells the story of the deaf bell-ringer of Notre Dame and his unrequited love for the gipsy girl Esmeralda.
Clues suggesting that Quasimodo is based on a historical figure have been uncovered in the memoirs of Henry Sibson, a 19th-century British sculptor who was employed at the cathedral at around the time the book was written and who describes a hunched back stonemason also working there.
However, the references to a "hunchback sculptor" working at Notre Dame have only just been discovered, as the memoirs are catalogued ahead of the archive's 40th anniversary this year.
The seven-volume memoirs document Sibson's time in Paris during the 1820s, when he was employed by contractors to work on repairs to Notre Dame Cathedral.
In one entry, he writes: "the [French] government had given orders for the repairing of the Cathedral of Notre Dame, and it was now in progress ... I applied at the Government studios, where they were executing the large figures [for Notre Dame] and here I met with a Mons. Trajan, a most worthy, fatherly and amiable man as ever existed – he was the carver under the Government sculptor whose name I forget as I had no intercourse with him, all that I know is that he was humpbacked and he did not like to mix with carvers."
In a later entry, Sibson writes about working with the same group of sculptors on another project outside Paris, where he again mentions the reclusive government sculptor, this time recalling his name as "Mon. Le Bossu". Le Bossu is French for "the hunchback".
He writes: "Mon Le Bossu (the Hunchback) a nickname given to him and I scarcely ever heard any other ... the Chief of the gang for there were a number of us, M. Le Bossu was pleased to tell Mon Trajan that he must be sure to take the little Englishman."
Adrian Glew, the Tate archivist, who made the discovery, said: "When I saw the references to the humpbacked sculptor at Notre Dame, and saw that the dates matched the time of Hugo's interest in the Cathedral, the hairs on the back of my neck rose and I thought I should look into it."
Hugo began writing The Hunch Back of Notre Dame in 1828 and the book was published three years later. He had a strong interest in the restoration of the cathedral, with architecture featuring as a major theme in the book.
Hugo publicly opposed the original neoclassical scheme for Notre Dame's restoration led by the architect Etienne-Hippolyte Godde – the same scheme which Sibson describes Le Bossu and Trajan working on – favouring a more Gothic style for the cathedral.
The publication of The Hunch Back of Notre Dame in 1831, which made Hugo one of France's most acclaimed authors, is widely credited with prompting the Gothic restoration of the cathedral in 1844, designed by the architect Eugene Viollet-le-Duc, which Hugo had championed.
His close links with the cathedral make it likely that he would have known Le Bossu and Trajan, and further research undertaken by Mr Glew in the national archives of France has uncovered additional links between Hugo and the characters described by Sibson.
The Almanach de Paris from 1833 – which gives a list of all professionals working in the city – names a sculptor "Trajin" as living in Saint Germain-des-Pres, where Hugo also lived at the time.
An early draft of Les Misérables, another of Hugo's acclaimed novels, holds another clue indicating that Hugo drew on the Government sculptors described by Sibson for inspiration.
The lead character in an early version of the novel is named as "Jean Trejean" which Hugo later changed to "Jean Valjean".
Professor Sean Hand, the head of the Department of French Studies at the University of Warwick, and an expert on Hugo, said: "It is a fascinating discovery. Many scholars have tried to link Quasimodo's deformities with certain medical conditions, but I have never seen any reference to a historical character that he may have been based upon.
"It sounds entirely plausible, and if Hugo was indeed inspired by this deformed stonemason at Notre Dame, it further renews our appreciation of his amazing imaginative powers to take details from real life and weave them into magical literature."
Gerry Croydon, a distant relative of Sibson's, said: "Henry's diaries are fascinating, as he travelled the length and breadth of Europe and came across some amazing characters. The discovery that his diary may reveal the inspiration behind one of literature's great characters, is quite amazing."
Sibson's memoirs will be on display outside the Hyman Kreitman Reading Room at Tate Britain until the end of August.
Tuesday, 3 August 2010
Scrimshaw
This mid-19th century scrimshaw with masonic motifs is coming up for sale in Maine, US, on August 21. It is being sold by Thomaston Place Auctions.
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